Italian Art and Sculpture Odessey

Italian art and sculpture have not only represented significant periods of human history but have helped to shape them.

Incorporating mythology, anatomy, and philosophy the work of millions of hands over thousands of years can be seen across the globe in a distinctly Italian style. 

My own recent Italian odyssey was not just about uncovering the history of Italian culture but its footprint on the evolution of human trade. Between July and September of 2021, I was able to journey through Italy’s fashion hubs via small towns and cultural centres. These scenic detours allowed us unique access to the country’s skilled artisans and sculptors.

 I was particularly interested in learning the local histories and how that was represented in iconography. In Venice particularly, the classic Gondolas represent a crucial part of the city’s international identity but more prevalent within the city walls is the incorporation of mythology and religious symbols that have surpassed their initial context and now encompass a wider proportion of the people and culture. This provided valuable insight into the complexity and authenticity of the heritage and traditions I was privy to.

My favorite piece was one we found just outside of Rome. This breathtaking Laocoön was sculpted in Carrara marble and depicted the wrath of Athena cast on the Trojan prince and his sons as portrayed in the Iliad. Laocoön is attributed to have said the iconic line “I fear even the Greeks bearing gifts” in the light of the epic deliverance of the Trojan horse.

The Roman Empire inherited a significant portion of its mythology and origin stories from Greece and so heroes like the mighty Hercules make up large portion of the statues and sculptures seen in Italy today. The sheer scale and precision to detail is a testament to the skill of the craftsmen that continue the traditions of many generations.

Dating back at least as far as the 2nd or 3rd Century AD and potentially further, deep into the Greek Empire, the St Mark's horses are a set of four chariot horses placed at the St Mark’s Basilica after the sacking of Constantinople in 1204 BC. The horses have become a symbol of Venetian trade and the city at the height of its power. 

The Lion is a global symbol of power and in Venetian tradition Lions are often depicted with one or two paws in water to commemorate the part that water has played in the establishment of the city as a trading empire. Iconography of the Venetian lion can be seen in the Pope's garments, on the Venetian flag and coat of arms and in the intricate work of many artisans. 

Brought to the city by Mark the Evangelist the lion is often depicted with wings as many believed it was one of the four winged creatures sent to the evangelists. The original St Mark’s Lion is believed to be over 2300 years old and guards the Basilica which houses the remains of St Mark. Despite its Biblical origins the symbol of the Lion has become a much deeper representation of Venice.

Although humans have always strived to represent beliefs and beauty through art, much of the most respected and revered art across the globe is undeniably Italian and influenced by Italian styles. These designs have always reflected politics, and the cultural values within Italian cities and have become more than beautiful statements in a contemporary context as they play an important role in preserving traditions and piecing together history. 

I was delighted to bring back over 100 unique, hand crafted pieces from my journey across Italy, many of which can be seen in our bespoke showrooms or via private consultation. Each of these pieces has been made with a soul and a story and by meeting with craftsmen, considering them in their original context and even commissioning a few of the pieces personally I have formed a relationship with the work that I hope to pass on to you.